SBANC Newsletter

August 28, 2007

Issue 485-2007

QUOTE

"Wherever smart people work, doors are unlocked."

     -- Steve Wozniak

FEATURE PAPER

Is There a Need for a Youth Arts Center in a Small Community? An Exploratory Investigation.

The following paper was presented at the 2007 Allied Academies International Conference - Jacksonville. It was written by Keramat Poorsoltan and Suhir Singh of Frostburg State University.

Abstract

This study explored the viability of establishing an Arts Center in Cumberland, Maryland, with the mission of skill development and empowerment of its youth (broadly defined as being anywhere within the 4-19 age range) residents. The proposed center is envisioned as a facility for teaching and mentoring area youth in diverse artistic disciplines that include the fine, visual, and
performing arts. By learning and creating alongside the area’s arts professionals, area youth get the opportunity develop their creative skills and to potentially earn income.

Our investigation used target group-specific survey instruments in order to assess both the demand for and supply of such services from students (the target “consumers” of this facility) and parents (the most likely “purchasers” or “payers” for these services), as well as from the artists comprising the “supply” side of the talent/expertise pool willing to train and mentor area students.

Survey results indicate strong support for the concept of a Youth Art Center from both the demand (students and parents) and supply (artist) sides. We found that a Youth Art Center that
caters to students in the age group 9-16 and offers classes in various arts on an after-school or weekend basis and costing each student between 20 and 40 per month will attract community
patronage.

The results of this study establish a need for additional investigation from the standpoint of the identifying, architecturally modifying, as well as costing of a suitable site as well as that of
sourcing needed capital from a variety of private, nonprofit, and governmental sources towards fulfilling this expressed need from the community. It is hoped that this study will impel other smaller
communities to consider art centers as one of the viable ways of engaging and empowering its youth citizens.

Introduction

Art is universal in nature and is known to unite people regardless of age, ethnicity, social, or economic background. Art centers exist throughout the United States and cater to a range of creative sensibilities. Those dedicated to the youth, in particular, provide several economic, psychic, and all-round character building benefits to the young. The arts allow children to think creatively,
to build their own ideas, to solve problems in more than one way and try new things. They provide children the opportunity to express themselves and to place their efforts in a larger cultural context. A nurturing, creative environment instills self-confidence and positive feelings about oneself as well as provides a mechanism for economic well being.

Given the above recognition and consistent with similar research on the efficacy of youth arts centers, referenced below, this study sought to examine the economic viability of establishing
an Arts Center in Western Maryland with the mission of skill development and empowerment of its youth residents. This center is envisioned as a facility that will employ artists to teach and mentor area youth in diverse artistic disciplines that include the fine, visual, and performing arts. By learning and creating alongside the area’s arts professionals, area youth will develop their creative
skills and have the opportunity to earn income. This training in entrepreneurship in the relatively early stages of life is expected not only to contribute to enhanced self-worth for its recipients but
also serve to “incubate” a new generation of youth entrepreneurs in this region of Western Maryland.

A survey of youth arts centers in the United States reveals an almost infinite array in regard to types of artistic activities included (drawing, metalworking, photography, calligraphy, and ceramics among them), pace and manner of delivery (intensive, fast pace, or casual, leisurely, ongoing, one-time), cost to students (sometimes free of charge, but more often ranging from $ 5.00/hour to $ 50.00/hour per student), composition of artists-teachers, the age of students-apprentices (2 years to over 25 years in age), and operating budget (as little as $ 4,000 and as high as millions
of dollars). They may offer classes after school, on weekends, or in summer time, in “camps”. They may be located in renovated buildings, or in new and elaborate structures dedicated to the cause. Some of these centers serve a handful of students; still some have the capacity to accommodate thousands of young, aspirant apprentices. These are distributed in large, urban areas as well as in smaller towns in rural areas. These youth arts centers may have the support of government, at any level, or wealthy philanthropists. At some places, arts created can be sold, and yet in some other places, art works may be allowed to stay in galleries for demonstration only.

Within the context of the research noted above, this study sought to ascertain the need of community to consume the various types of artistic training as well as the artists to supply such services. The following sections describe the objectives of the research, the methodology used to gather and analyze data, as well as the analysis and conclusions of the study.

Read the Entire Paper...

.

TIP OF THE WEEK

Seven American Cohorts

COHORT PROFILE COHORT DESCRIPTION
Depression cohort (born from1912-1921; came of age during the Great Depression; ages 83-92 in 2004) This group’s coming-of-age experience consisted of economic strife, elevated unemployment rates and having to take menial jobs to survive. Financial security-what they most lacked when coming of age-rules their thinking.
Second World War cohort (born from 1922-1927; came of age during the Second World War; ages 78-82 in 2004) Sacrifice for the common good was widely accepted among members of this cohort, as evidenced by women working in factories for the was effort and men going off to fight. Overall, this cohort was focused on defeating a common enemy and their members are more team-oriented and patriotic than those of other generational cohorts.
Postwar cohort (born from 1928-1945; came of age after WWII; ages 59-76 in 2004 These individuals experienced a time of remarkable economic growth and social tranquility, a time of family togetherness, the Korean conflict, McCarthyism, school dress codes, and moving to the suburbs. Overall, this cohort participated in the rise of the middle class, sought a sense of security and stability, and expected prosperous times to continue indefinitely.
Leading-edge baby boomer cohort (born from 1946-1954; came of age during the turmoil of the 1960s; ages 50-58 in 2004) This group remembers the assassination of John and Robert Kennedy and Martin Luther King Jr. It was the loss of JFK that largely shaped this cohort’s values. They became adults during the Vietnam War and watched as the first man walked on he moon. Leading-edge boomers were dichotomous: They championed causes (Greenpeace, civil rights, women’s rights), yet were simultaneously hedonistic and self-indulgent (pot, free, love, sensuality).
Trailing-edge baby boomer cohort (born from 1955-1965; came of age during the first sustained economic downturn since the Depression; age 39-49 in 2004) This group witnessed the fall of Vietnam, Watergate, and Nixon’s resignation. The oil embargo, the raging inflation rate, and the more than 30 percent decline in the S&P index led these individuals to be less optimistic about their financial future than the leading-edge boomers.
Generation X cohort (born from 1965-1976; came of age during a time of instability and uncertainty; ages 28-38 in 2004) These are the latchkey children of divorce who have received the most negative publicity. This cohort has delayed marriage and children, and they do not take these commitments lightly. More than other groups, this cohort accepts cultural diversity and puts quality of personal life ahead of work life. They are free agents, not team players. Despite a rocky start into adulthood, this group shows a spirit of entrepreneurship unmatched by any other cohort.
N Generation cohort (born from 1977-?; came of age during the Information Revolution; ages 27 and under in 2004) The youngest cohort is called the N Generation or N-Gen because the advent of the Internet is a defining event for them, and because they will be the engine of growth over the next two decades. While still a work in progress, their core value structure seems to be quite different from that of Gen-X. They are more idealistic and social-cause oriented, without the cynical “What’s in it for me?” free-agent mindset of many Gen-Xers.


Schewe, C.D., and G. Meredith. 2004. Segmenting global markets by generational cohorts: Determining motivations by age. Journal of Consumer Behavior 4(1):51-62.

 

ANNOUNCEMENTS

Request for Papers & Reviewer Volunteers

The Small Business Institue is now requesting papers and paper review volunteers for the Small Business Institute Journal. If you are interested in submitting a paper or becoming a volunteer, please let us know. The first issue is to be printed April 2008. For more information please click here or email us at sbij@uca.edu.

SBANC is Updating Their Entrepreneurship and Small Business Network

The Small Business Advancement National Center is currently updating their Entrepreneurship and Small Business Network. If you currently teach or know a professor in your school or state that teaches an Entrepreneurship or Small Business course, please provide us with any available information at sbanc@uca.edu. We appreciate any help. Thank you.

.

CONFERENCES

ALLIED
Who:
Allied Academies
What:

Fall International Conference

Where:  Reno, Nevada, USA
When: October 4-5, 2007

ISBE
Who: Institute for Small Business and Entrepreneurship
What:

30th Annual ISBE Conference

Where:  Heriot-Watt University, Glasgow, Scotland
When: November 7-9, 2007

ASBE
Who:
Association for Small Business and Entrepreneurship
What:

2007 Conference

Where:  Austin, Texas, USA
When: October 10-12, 2007

TSCF
Who:
The Social Capital Foundation
What:

TSCF conference

Where:  Hawaii, USA
When: November, 15-19, 2007

AGB
Who:
Association for Global Business
What:

Nineteenth International Conference

Where:  Marriott Key Bridge, Washington D.C., USA
When: November 15 - 18, 2007


CALLS FOR PAPERS


Business Research Conference
Who:
Global Economy and Finance Journal, Journal of Business and Policy Research, International Review of Business Research Papers, World Business Institute
What:

Seventh International Business Research Conference

Where: University of Technology Sydney (UTS), Sydney, Australia
When: December 3-6, 2007

Submission Deadline:
October 5, 2007

 

JAABC
Who:
The Journal of American Academy of Business, Cambridge
What:

The Global Management & Information Technology Research Conference

Where: Crowne Plaza Times Square Manhattan, New York, USA
When: May 21 - 24, 2008

Submission Deadline:
February 8, 2008

 

EIBR
Who:
The Economics and International Business Research Conference
What:

2007 Economics & International Business Research Conference

Where:  Marriott South Beach, Miami Beach, FL
When: December 12 - 15, 2007

Submission Deadline:
September 10, 2007

 

SBI
Who:
Small Business Institute
What:

2008 SBI Conference

Where:  Handlery Hotel – San Diego, CA
When: Feb. 14-16, 2008

Submission Deadline:
October 1, 2007




 

The SBANC Newsletter is provided as a service to the members of our affiliates: Academy of Collegiate Marketing Educators (ACME), Association for Small Business & Entrepreneurship (ASBE), Federation of Business Disciplines (FBD), International Council for Small Business (ICSB), Institute for Supply Management (ISM), The International Small Business Congress (ISBC), Marketing Management Association (MMA), Small Business Administration (SBA), Service Corps of Retired Executives (SCORE), Small Business Institute (SBI), Society for Marketing Advances (SMA), United States Association for Small Business & Entrepreneurship (USASBE), U.S. Department of Veterans Affairs (VA).. If you are interested in membership or would like further information on one of our affiliates, please see our web site at http://www.sbaer.uca.edu

 

SBANC STAFF

Main Office Phone: (501) 450-5300

Dr. Don B. Bradley III, Executive Director of SBANC & Professor of Marketing;

Direct Phone: (501) 450-5345

Brandon Tabor, Development Intern

Kitty Dockins, Development Intern

Latedra Williams, Development Intern

 

 

To subscribe or unsubscribe to the SBANC Newsletter, please E-mail SBANC at sbanc@uca.edu

Small Business Advancement National Center - University of Central Arkansas
College of Business Administration - UCA Box 5018 201 Donaghey Avenue
Conway, AR 72035-0001
- Phone (501) 450-5300 - FAX (501) 450-5360