SBANC Newsletter

January 22, 2008

Issue 503-2008

QUOTE


"Whenever you are asked if you can do a job, tell 'em, 'Certainly, I can!' Then get busy and find out how to do it."

- Theodore Roosevelt


FEATURE PAPER

On The Edge: Stocking A Business Toolbox for Artitts

The following paper was presented at the 2008 United States Association for Small Business and Entrepreneurship (USASBE).
- Marilyn Besich, Edrienne L. Kittredge, Montana Arts Council

Abstract

Contrary to popular myth, artists can learn about business. With its students increasing their income by 152%, the Creative Arts Enterprise program at Montana State University-Great Falls
has demonstrated how to develop a successful curriculum that stocks the toolbox of skills artists need to be sustainable entrepreneurs. Several recommendations have emerged for building a successful entrepreneurship program for artists: 1) artists want a skillset, not a degree. 2) The institution needs to fully understand the ramifications of the needs of the students. 3) Student interests need to be heeded because nontraditional students learn what they are ready to engage.

Introduction

The key question isn’t ‘What fosters creativity?’ But it is why in God’s name isn’t everyone creative?...I think therefore a good question might be not why do people create? But why do people not create or innovate? We have got to abandon that sense of amazement in the face of creativity, as if it were a miracle if anybody created anything. -Abraham Maslow

In the past, the arts rarely were linked with economy. Anthropologists have related the emergence of the arts with the development of a surplus economy and a society’s ability to have time and resources to look beyond the struggle for existence. Art and business have also coincided when art has been used as a way to showcase wealth, as occurred in Renaissance Italy or in corporate contemporary America. Until fairly recently, economic developers have seen the value of the arts as a reflection of a thriving society, a nice “icing on the cake” of economic health. To speak of art and business in the same breath has been considered paradoxical. Artists were viewed as right-brained, and business people were left-brained, with never the two meeting. To expect an artist to consider balance sheets or marketing strategies was seen as demeaning the art, while calling an accountant creative was basically labeling him a criminal.

The creative sector has come to include “the enterprises and people involved in producing and distributing goods and services in which the aesthetic, intellectual and emotional engagement of the consumer gives the product value in the marketplace” (Rosenfeld, 2007, p. 8). This category includes, writers, painters, photographers, sculptors, woodworkers, architects, composers, performers, fibre artists. Besides the individual artist, this sector also includes the organizations that promote arts education, the industries with design at their core, and the businesses, like studios, shops, and advertising firms, that depend on the individual artist for survival.

Increasingly, researchers are finding that the creative sector is more than a postscript. Several researchers and organizations have gathered rather compelling data that defines how the creative sector substantially contributes to healthy economic growth. The results of that research also illustrate how the creative sector holds the potential to be an even more important player. Richard Florida, who posits that creative individuals tend to gather in places conducive to artistic activities, sees creativity and entrepreneurship becoming 21st century core proficiencies regardless of the career path that a student chooses to take (Florida, 2002).

Other studies show that the national economy received a direct impact of between $12.3 and $14 billion in sales from fine handcraft. These figures are half the size of airline ticket sales and about the same as the impact of the funeral industry or the oil industry (Dave and Evans, 2001). Such numbers provide real meaning to the statement, “The arts mean business.” (Americans for the Arts, 2002). This impact is felt in urban and rural areas, with arts-centered activities becoming a growth stimulus in moribund rural landscapes, offsetting loses in agriculture while enhancing the quality of life and encouraging people to stay (Markusen, 2006).

Read the Entire Paper...

 

TIP OF THE WEEK

Franchising Options and the Structure of the Franchising Industry


Franchising Options

The potential value of any franchising arrangement is defined by the rights contained in a legal agreement known as the franchise contract; the rights it conveys are called the franchise. The extent and importance of these rights may be quite varied. When the main benefit the franchisee receives is the privilege of using a widely recognized product name, the arrangement between the franchisor (supplier) and the franchisee (buyer) is called product and trade name franchising. Automobile tire outlets carrying the Goodyear brand name and soft drink bottlers distributing Dr Pepper are both engaged I this type of franchising.

Alternatively, entrepreneurs who receive an entire marketing and management system are participating in a broader type of arrangement referred to as business format franchising. Fast-food outlets (e.g., Burger King), hotels and motels (e.g., Radisson), and business services (e.g., Mail Boxes Etc.) typically engage in this type of franchising. The volume of sales and the number of franchise units associated with business format franchising have increased steadily over the years.

A master licensee is a firm or individual having a continuing contractual relationship with a franchisor to sell its franchises. This independent company or businessperson is a type of middleman or sales agent. Master licensees are responsible for finding new franchisees within a specified territory. Sometimes, they even provide support services such as training and warehousing, which are more traditionally provided by the franchisor. Also gaining widespread usage is multiple-unit ownership,in which a single franchisee owns more than one unit of the franchised business. Some of these franchisees are area developers—individuals or firms that obtain the legal right to open several outlets in a given area.


Piggyback franchising refers to the operation of a retail franchise within the physical facilities of a host store. Examples of piggyback franchising include a cookie franchise doing business inside an Arby’s fast0food outlet and a Krispy Kreme donut franchise operating within a Wal-Mart store. A new trend in piggyback franchising is locating walk-in health clinic in Wal-Marts, Target stores, drugstores, and other retail outlets. This form of franchising benefits both parties. The host store is able to add a new product line, and the franchisee obtains a location near prospective customers.

The Structure of the Franchising Industry

Franchisors and franchisees are the two main parties in the franchise industry. A franchisor may be a manufacturer or another channel member (a wholesaler or retailer) that has an attractive business concept worthy of duplication. As shown in Exhibit 4-3, a franchise can be sold by the4 franchisor directly in individual franchisees or marketed through master licensees or area developers. Most franchisors also own one or more outlets that are not franchised. These outlets are referred to as company-owned stores.

In addition to these parties, the franchising industry contains other important groups called facilitators. Facilitators include industry associations, governmental agencies, and private businesses.

The international Franchise Association (http://www.franchise.org), or IFA, is an industry association that serves franchise members by attempting to safeguard and enhance the business and regulatory environment of the industry. It has over 30,000 members—franchisors, franchisees, and suppliers—that operate in more than 100 countries. Nevertheless, the IFA is highly selective and not all companies applying for membership are accepted. Referring to itself as “The Voice of Franchising,” the IFA sponsors legal and government affairs conferences, franchise management workshops, seminars on franchisor/franchisee relations, and trade shows. The IFA also champions the causes of minority business groups. For example, the Women’s Franchise Committee (WFC), formed in 1996, provides leadership conferences, mentoring programs, a network of professionals, and other services for women franchisees.

Numerous federal and state agencies are involved in the franchise industry. Agencies such as the Federal Trade Commission (http://www.ftc.gov), or FTC, provide information on franchise opportunities and enforce franchising laws and regulations. Presale franchise disclosure practices are subject to special scrutiny by these agencies.

A third category of facilitators includes private businesses providing franchise information and consulting services to franchisors and franchisees. For example, Franchise Connections (http://www.franchiseconnections.com) and The Franchise Company (http://www.franchiseconnections.com) are two businesses that assist with franchising evaluation and offer development services.

Evaluating Franchise Opportunities

After making a decision to pursue a franchising opportunity, the prospective franchisee must identify a franchise candidate and investigate it completely. As we discuss the investigation process, we will continue to use examples involving Wing Zone, a takeout/delivery restaurant franchise featuring buffalo wings.


Small Business Management, Fourteenth Edition
Copyright 2008 Thomson South-Western
Pgs. 101-103 Justin G. Longenecker, Carlos W. Moore, J. William Petty, Leslie E. Palich

ANNOUNCEMENTS

2008 SBI Registration Form

The Small Business Institute will be hosting their Annual International Conference at the Handerly Hotel in San Diego, California. Click here for more information and hotel arrangements.

National Urban Inititiatives Competition

Clark University is hosting the National Urban Inititiatives Competition. They are seeking proposals that have practicality, creativity, and are well rooted in theory. Proposals should trnslate from theor to model or vice versa. Furthermore, it should be feasible to enact into legislation.

An award of $20,000 will be given to each winner of the three categories:

1. Affordable and sustainable housing.

2. Neighborhood based economic development.

3. Financial services to low income communities.

All applicants must be from a institution of higher education and must team with one or more of a local government entity and/or non-profit organization.

Submission of Step 1 proposals are due January 25, 2008.

For more information please click here.

SBI Journal - Request for Papers

The Small Business Institue is now requesting papers for the Small Business Institute Journal. If you are interested in submitting a paper, please let us know. The first issue is to be printed April 2008. For more information please click here or email us at sbij@uca.edu.

CONFERENCES



SERA
Who: Social Science Research Center and the Southern Rural Development Center
What:

Southern Extension and Research Activity

Where:  Atlanta, Georgia
When: Feb. 11-12, 2008

 

AMA
Who: AMA Educators
What:

2008 Winter Marketing Educators' Conference

Where:  University of Texas-Austin
When: February 15, 2008

 

EDRP
Who:
The University of Arizona Economic Development Research Program
What: 40th Annual Arzonia Economic Development Course
Where:  The University of Arizona, Tucson
When: January 20-24

 

WUF
Who:
World Universities Forum
What: 2008 World Universities Forum
Where:  Davos, Switzerland
When: Jan 31-Feb 2, 2008

 

ICSB
Who:
International Council for Small Business
What: 2008 International Council for Small Business (ICSB) World Conference
Where:  Halifax, Nova Scotia, Canada
When: June 22- 25, 2008

 


CALLS FOR PAPERS


 

KGCM
Who:
Knowledge Generation, Communication and Management
What:

The3rd International Conference on Knowledge Generation, Communication and Management

Where: Orlando, Florida
When: June 29th to July 2nd, 2008

Submission Deadline:
February 7th, 2008

 

SOBIE
Who:
Society of Business, Indutry, and Economics
What:

Annual Academic Conference of the Society of Business, Industry, and Economics

Where: Destin, Florida
When: April 15-18, 2008

Submission Deadline:
March 1, 2008

 

HICB
Who:
College of Business Administration at the University of Hawaii
What:

8th Annual Hawaii International Conference

Where: Honolulu Hawaii, USA
When: May 22 - 25, 2008

Submission Deadline:
February 18, 2008

 

 




 

The SBANC Newsletter is provided as a service to the members of our affiliates: Academy of Collegiate Marketing Educators (ACME), Association for Small Business & Entrepreneurship (ASBE), Federation of Business Disciplines (FBD), International Council for Small Business (ICSB), Institute for Supply Management (ISM), The International Small Business Congress (ISBC), Marketing Management Association (MMA), Small Business Administration (SBA), Service Corps of Retired Executives (SCORE), Small Business Institute (SBI), Society for Marketing Advances (SMA), United States Association for Small Business & Entrepreneurship (USASBE), U.S. Department of Veterans Affairs (VA).. If you are interested in membership or would like further information on one of our affiliates, please see our web site at http://www.sbaer.uca.edu

 

SBANC STAFF

Main Office Phone: (501) 450-5300

Dr. Don B. Bradley III, Executive Director of SBANC & Professor of Marketing;

Direct Phone: (501) 450-5345

Patrick Combs, Development Intern

Latedra Williams, Development Intern

Nicole Kluck, Development Intern

John Reach, Development Intern

 

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Small Business Advancement National Center - University of Central Arkansas
College of Business Administration - UCA Box 5018 201 Donaghey Avenue
Conway, AR 72035-0001
- Phone (501) 450-5300 - FAX (501) 450-5360